When you add in the native Blackmagic RAW format and built in neutral density filters, you have a true workhorse that’s perfect for any run and gun shooter creating a myriad of content.” With this camera, Flying Lap Media has recorded the Rolex 24 at Daytona and will be working imminently on the Ind圜ar season opener in St. Love or hate vertical video, it’s seemingly here to stay, and it’s quite easy to film footage horizontally, then immediately rotate the camera to get some vertical as well. The bigger flip out screen and handheld form factor makes the Pocket 6K Pro a versatile tool to capture multiple forms of content in a single shot. Ortenburger, from his company Flying Lap Media, works with clients such as GT World Challenge America, Fanatec, BMW North America, CrowdStrike Racing and the International Motor Sports Association (IMSA), among others.Īn early Blackmagic Design user and advocate of the Blackmagic RAW format, he has recently started working with the Pocket Cinema Camera 6K Pro because of the size and flexibility it offers: “My latest weapon of choice is the Pocket 6K Pro. Flying Lap Media shoots racing content with Blackmagic cameras Cinematographer Chris Ortenburger, owner of production company Flying Lap Media, opts for Blackmagic solutions such as the Pocket Cinema Camera 6K Pro to shoot all types of automotive content, especially racing competitions.
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